No. 2 (2016): Bulletin of Zaporizhzhia National University. Philological Sciences

Articles

• STEFAN ZIZANIY AND IVAN VYSHENSKY’ POLEMICAL WORKS: TOPICS AND PROBLEMATICS

  T.Z. Aleksandrovych, M.M. Malynka

  6-12

  • PDF (Українська)
• ZAPORIZHZHYA COSSACKS IN THE WORKS OF POLISH HISTORIAN L. PODHORODETSKY

  A.M. Barannik

  12-17

  • PDF (Українська)
• V. BROVCHENKO’S NOVEL IN VERSE “HOW MAMAI WENT TO CANADA”: AESTHETIC PRINCIPLES AND STYLISTIC FEATURES

  V.P. Bilyatska

  17-26

  • PDF (Українська)
• ENGLAND OF THE 14TH CENTURY IN THE MIRROR OF “THE VISION OF PIERS PLOWMAN” BY WILLIAM LANGLAND

  K.O. Vielchieva

  26-33

  • PDF (Українська)
• "BREAD AND WATER IS COSSACK FOOD": FOOD IN UKRAINIAN ADAGES

  G. I. Vivat

  33-39

  • PDF (Українська)
• "ALTYN-TOLOBAS" BY B. AKUNIN AS A NOVEL-SIMULACRUM

  O.A. Halych

  39-44

  • PDF (Українська)
• PARABOLALITY IN COORDINATES OF UKRAINIAN HISTORY (BASED ON THE NOVEL BY N. GUMENYUK "ANGEL IN GREY")

  N.V. Horbach

  44-51

  • PDF (Українська)
• DUMAS ABOUT THE SEA AS INTERTEXT IN D. MORDOVTSEV’S NOVEL “SAGAYDACHNY”

  Ju.V. Grin’

  44-50

  • PDF (Українська)
• ARTISTIC MODELING OF HICTORICAL EVENTS AND IMAGES IN THE NOVEL «МАRUCJA CHURAJ» BY LINA KOSTENKO

  O.V. Grynkiv

  61-66

  • PDF (Українська)
• THE CONCEPT OF MODERN HISTORY IN METAGENRE TEXTS (IN THE BOOK “THE EYEWITNESSES’ CHRONICLE”)

  O.V. Danilina

  66-72

  • PDF (Українська)
• HISTORICAL STEM OF NOVEL “PEOPLE” BY L. GOMIN

  A.K. Dymovska

  72-77

  • PDF (Українська)
• INTERPRETATION OF THE GOSSACKS IN ROMANTIC PROSE OLEKSA STOROZHENKO

  N.I. Zinchenko

  78-82

  • PDF (Українська)
• “THEN IN YOUR OWN HOUSE YOU WILL SEE TRUE JUSTICE”: THE CHARACTER OF PRINCE YEREMIA VYSHNEVETSKY THROUGH THE PRISM OF TERGIVERSATION PROBLEM (ACCORDING TO HOMONYMOUS NOVEL BY I. NECHUY-LEVYTSKY)

  R.P. Ivanchenko

  83-88

  • PDF (Українська)
• SIGNIFICANT EVENTS OF RUSSIAN EMPIRE LIFE IN THE CREATIVE INTERPRETATION OF V. KAPNIST

  O.V. Kazanzhi

  89-93

  • PDF (Українська)
• SPIRITUALITY INFLUENCED PREFERENS OF UKRAINIAN COSSACKS THE CULINARY NOVEL BY L. GONCHAR AND R. NAYDY “COSSACK CBISINE: 200 RECIPES”

  S.I. Kovpik

  94-101

  • PDF (Українська)
• COSSACKS’ LIBERTIES AND PRIVILEGES ARTISTIC ANALYSIS IN THE NOVEL “BLACK COUNSIL” REGARDING ORAL HISTORY METHODOLOGY

  K.O. Kozachuk

  101-106

  • PDF (Українська)
• INTERMEDIOUS MEANS OF DEPICTING COSSACKS IN Y. YANOVSKY’S CREATIVE WORK

  N. Korobkova

  106-110

  • PDF (Українська)
• PLAYING WITH MYTHS IN ART PROJECTS ALTERNATIVE HISTORY V. KOZHELYANKA

  L.A. Kostetska

  110-116

  • PDF (Українська)
• ARTISTIC COVERAGE OF SPIRITUAL AND MORAL VALUES IN M. RUDENKO’S NOVEL “IN GRAGON’S WOMB”

  V.O. Kravchenko, S.V. Chudnovets

  116-122

  • PDF (Українська)
• THE ARTISTIC WORLD OF PAVLO ZAHREBELNYI

  E.V. Krasnenko

  122-126

  • PDF (Українська)
• UKRAINIAN FAMINE PEOPLE IN THE NOVEL S. TALAN «SPLIT SKY»

  Yu.V. Laskava

  127-131

  • PDF (Українська)
• ARTISTIC MODELLING OF THE TRAGEDY OF UKRAINIAN PEASANTRY OF 1920-1930’ IN THE SHORT STORIES BY Z. DONCHUK

  S.V. Lenska

  132-137

  • PDF (Українська)
• THE LAUGH AS THE WAY OF ADAPTATION OF THE ARTISTIC ENVIRONMENT OF ZAPOROZHIAN SICH (ACCORDING TO THE “NOTES” BY LUKA YATSENKO)

  L.M. Lytvyn

  138-142

  • PDF (Українська)
• HISTORICAL RETROSPECTIVE REVIEW IN IVAN NYZOVYI’S POETICS

  A.M. Manko

  143-147

  • PDF (Українська)
• THE PECULIARITY OF TOTALITARIAN MASS CULTURE PARODY IN O. IRVANETS’ DYSTOPIA “RIVNE/ROVNO (THE WALL):KIND OF A NOVEL”

  V.M. Nikolaenko, N.V. Zubets

  147-151

  • PDF (Українська)
• THE GENRE SPECIFIC OF NOVEL “THE THEME FOR MEDITATION” BY L. KONONOVYCH

  V. N. Nikolayenko, Y. M. Zuienko

  153-156

  • PDF (Українська)
• THE IMAGE OF THE COSSACK IN THE UKRAINIAN FANTASY

  S. Oliinyk

  156-163

  • PDF (Українська)
• THE PECULIARITIES OF THE PERSONALITY WORLDVIEW FORMATION IN THE NOVEL ‘ILOVAISK’ BY E. POLOZHIY

  E.S. Polishchuk

  163-168

  • PDF (Українська)
• DIALECTICS OF HISTORICAL ACCIDENT AND HISTORICAL PATTERNS IN AN ALTERNATIVE-HISTORICAL NOVELS

  O.L. Polishchuk

  168-174

  • PDF (Українська)
• GENRE AND STYLE SPECIFICS OF CINEMATOGRAPHIC NOVEL “THE ARTIST” (“HUDOZHNYK”) BY K. TUR-KONOVALOVA, D. ZAMRIYA, A. LISOVYKOVA

  O.A. Protsenko

  174-179

  • PDF (Українська)
• A LEGEND ABOUT THE ORIGINS OF ZAPOROZHIAN COSSACKS AND ITS EASTERN IRANIAN PARALLELS

  K.Yu. Rakhno

  179-185

  • PDF (Українська)
• POETICS SHORT FICTION BY VICTOR POLOZHII

  O.Yu. Rybtseva

  185-187

  • PDF (Українська)
• POETICAL EXPERIMENTS OR TRADITION PREVAILING IN THE PORTRAYAL OF HISTORIC PERSONALITIES AND THE EPOC IN THE NOVEL "THE LAST HETMAN" BY YURI MUSHKETICK

  L.M. Romas

  188-197

  • PDF (Українська)
• THE PECULIARITIES OF CIVIL WAR IN BRITAIN (1642–1652) DESCRIPTION IN THE SHORT STORY OF T. HARDY “ANNA, LEDY BAXBY”

  O.A. Rosstalna

  197-200

  • PDF (Українська)
• A IMAGE OF COSSACK IN THE FORMAT OF MODERN MEDIA CULTURE

  A.V. Sazhyna

  200-205

  • PDF (Українська)
• SON OF DONETSK REGION, CITIZEN OF UKRAINE: THE IMAGE OF OLEKSA TYKHYI IN REMEMBRANCES OF HIS CONTEMPORARIES

  V.P. Syrotenko, O.L. Maksimenko

  206-210

  • PDF (Українська)
• ART MODELING HISTORICAL FIGURES IN THE NOVEL “BLUE WATER” BY V. RUTKIVSKY

  O.A. Slyzhuk

  211-215

  • PDF (Українська)
• “RECOLLECTIONS” BY DMYTRO PAVLYCHKO: AUTHOR’S VISION OF UKRAINIAN HISTORY OF 20TH CENTURY

  O. Stadnichenko

  216-225

  • PDF (Українська)
• RHETHORIC QUESTIONS IN THE NOVEL “SAHAIDACHNY” BY A. CHAIKOVSKY

  A.Yu. Teodorovych

  225-229

  • PDF (Українська)
• O. ILCHENKO’S “NO END TO COSSACKS KIN…” AS THE COMPOSITIONAL VARIANT OF THE UKRAINIAN HISTORICAL NOVEL

  T.O. Tichavska

  229-233

  • PDF (Українська)
• FOLKLORE MOTIVES IN D. HUMENNA’S COMPOSITION «BLESS, MOTHER!»

  O. Filipenko

  233-235

  • PDF (Українська)
• “WE WILL KEEP UKRAINE” (“BUDEMO DERZHATY UKRAINU”) (THE IMAGE OF THE ATAMAN MARUSYA IN THE SAME NAMED NOVEL BY V. SHKLYAR)

  T.V. Homyak

  236-244

  • PDF (Українська)
• ART MODELING IMAGE OF IVAN SIRKO IN THE DILOGY M. MOROZENKO «IVAN SIRKO, THE GREAT SORCERER», «IVAN SIRKO, THE FAMOUS KOSHOVYI»

  T.V. Homyak, O.A. Ivashchenko

  245-253

  • PDF (Українська)
• LITTERARY MODELING OF HISTORY IN THE NOVEL «WINDOWS ON THE WORLD» BY F. BEIGBEDER

  T.Yu. Cherkashyna

  253-261

  • PDF (Українська)
• HISTORICAL MOTIFS IN Y. LYPA'S POETRY

  V. I. Shapiro

  261-266

  • PDF (Українська)
• WHAT WINS AND LOSSES MICHAEL BERNSTEIN IN HIS WORKS

  V.F. Shevchenko

  266-276

  • PDF (Українська)
• ZAPORIZHZHYA AS A “MEMORY SPACE”: THE IMAGOLOGICAL VISION OF IVAN MANYLO’S POETRY

  O.V. Yufereva

  276-282

  • PDF (Українська)
• FORMATION OF WORD BUILDING STRUCTURE OF LOCATIVE NAMES IN THE HISTORY OF THE UKRAINIAN LANGUAGE (DERIVATIVES WITH SUFFIXES -ИНА AND -ЧИНА/-ЩИНА)

  P.I. Bilousenko

  283-296

  • PDF (Українська)
• THE ETYMOLOGY OF PARTICIPANTS’ NAMES OF THE WEDDING CEREMONY

  N.A. Grozovska

  296-302

  • PDF (Українська)
• BACKGROUND ONIM IN R. IVANYCHUK'S IDIOSTILE

  I.I. Ilchenko

  302-308

  • PDF (Українська)
• THE DYNAMICS OF FUNCTIONING OF THE WEDDING WISHES AND TOASTS IN UKRAINIAN AND RUSSIAN FOLKLORE

  S.V. Shcherbak

  308-313

  • PDF (Українська)